VIC FIRTH TIMPANI MALLETS

For over 40 years, Vic Firth Inc. has produced the finest drumsticks and mallets available. Innovative design, coupled with uncompromising quality control, truly provides our customers with the "Perfect Pair". It is this commitment that makes us the world's largest manufacturer of drumsticks and mallets.

To find a pair of timpani mallets that will exceed your expectations, please browse our categories:

American Custom® Timpani Mallets
These six models reflect Vic's forty plus years of experience as Solo Timpanist with the Boston Symphony Orchestra. Each mallet is turned from a single piece of rock maple, which eliminates a core that could rattle and the need for a screw-on washer to secure the head. Coupled with round seamless heads, they produce bigger and brighter sounds.

Tim Genis Signature Timpani Mallets
This versatile line of timpani mallets is tonal in character and designed to create different colors and qualities of articulation. Persimmon shafts provide a darker sound. The balance and weight of each model make articulation effortless.

Corpsmaster® Timpani Mallets
Corpsmaster® timpani mallets are specifically designed to withstand the rigors of outdoor performance applications. The mallets have straight, non-tapered hickory shafts which put more weight forward toward the mallet head. This produces greater sound with less effort for maximum sound projection on the field. Their enhanced weight also produces lower fundamentals from the drum head for a darker, fuller sound.

European Classic® Timpani Mallets
These timpani mallets produce a sound unique to the Baroque and classical repertoire. The shafts are bamboo, giving them a light, velvety feel. The heads, which are slightly smaller than contemporary mallets, produce a sharp and focused sound. Single strokes elicit airy, shimmering sounds.

Tom Gauger Signature Series Combination Mallets/Timpani
Tom Gauger developed his line of combination mallets during his 35+ year career with the Boston Symphony and Boston Pops Orchestras and as an educator at Boston University and the Boston University Tanglewood Institute. Each product was developed on the job and for the job, designed to solve a technical problem or achieve a desired sound.