"Mother Earth, Father Sky" by Ney Rosauro
Performed by The University of Southern Mississippi Percussion Ensemble
Under the direction of Dr. John Wooton
Mallet Selection for this Piece:
|Ney Rosauro Signature Keyboard
Soft. For rich bass and well defined fundamental in the lower register. With rattan shafts.
L = 16 3/4" [enlarge photo]
|Ney Rosauro Signature Keyboard
General. An all purpose mallet for rich‚ full sound on any keyboard.
L = 16 1/4" [enlarge photo]
|Ney Rosauro Signature Snare Stick (SNR)
Featues an elongated tip with increased surface area for enhanced sound quality. long taper provides excellent rebound. Hickory
L = 16.56" | Dia. = .600" [enlarge photo]
About the piece:
Mother Earth, Father Sky
"The Great Spirit is our Father, but the Earth is our Mother. She nourishes us; that which we put into the ground she returns to us…." Spoken by Big Thunder of the Wabanaki nation in Maine, these words bear eloquent testimony to an awareness of the cosmos that is shared by all the native cultures of what is today the United States and Canada.
The main harmonic concept of the work consists of the following consideration: If the letters of the alphabet are given to the notes of a chromatic scale, the letter A would be the note "C", letter B the "C#", letter C the "D", letter E the "D#" and so on. With this configuration, the words "Mother Earth" create a C major/suspended chord and the words"Father Sky" create a C major/suspended chord with a minor seventh and a sharp eleventh, suggesting a C augmented chord and a C whole tone scale.
The first part represents the Earth and depicts the progression from the dawn to the full light of day. A small bridge represents the fire, and the second part represents the Sky with its force and thunderstorms. The same material that represents the Earth will close the work. The main theme of the work represents the Great Spirit and his voice will be heard throughout the piece, through the Earth and from the Sky. Published by Pro Percussão BR/USA
About the composer:
Ney Rosauro is recognized as one of the most original and dynamic symphonic percussionists and composers today.
Born in Rio de Janeiro, Brazil on October 24, 1952, he started studying percussion in 1977 with Luiz Anunciação of the Orquestra Sinfonica Brasileira in Rio de Janeiro.
Mr. Rosauro studied Composition and Conducting at the Universidade de Brasilia (Brazil). He then received the Masters Degree in Percussion at the Hochschule fur Musik Wurzburg in Germany under Prof. Siegfried Fink.
He completed his Doctorate at the University of Miami under the supervision of Fred Wickstrom.
From 1975 to 1987 he was percussion instructor at the Escola de Musica de Brasilia, and timpanist with the Orquestra do Teatro Nacional de Brasilia in Brazil.
From 1987 until 2000 he directed the Percussion Department at the Federal University of Santa Maria, RS in Brazil. From 2000 until 2009 he was director of Percussion Studies at the University of Miami, Florida.
As a composer he has published more than 100 pieces for percussion as well as several method books. His compositions are very popular worldwide and have been recorded by internationally acclaimed artists such as Evelyn Glennie and the London Symphony Orchestra. His Concerto for Marimba and Orchestra has been performed by over 2,500 different orchestras worldwide, and his nine solo CDs have received critical acclaim and been hailed by percussionists and general music-lovers alike.
Ney Rosauro has appeared in concert solo, and as a soloist with orchestras, in more than 45 different countries, including the most prestigious International Percussion Festivals.
Dr. Rosauro is a Yamaha, Sabian, MalletWorks and Contemporanea artist and plays exclusively with mallets and sticks by Vic Firth.
Dr. John Wooton is the director of percussion studies at The University of Southern Mississippi. He is well versed in many percussion instruments but has specialized in rudimental snare drum, drum set, marimba, vibraphone and steel pans. Dr. Wooton directs the Percussion Ensemble, Steel Pan Orchestra, Graduate Percussion Ensemble and the Samba Band. He also performs regularly on steel pans as a soloist or with his band, KAISO!, and plays vibes for the USM Jazz Quintet.
From 1988 to 1992, he served as percussion coordinator/pep band director for the University of Iowa bands. As an instructor and performer, Dr. Wooton has been associated with five P.A.S.I.C. Marching Percussion Forum champions. He marched snare drum for four years with the Phantom Regiment Drum and Bugle Corps of Rockford, Ill. (1981-84). During those years, Dr. Wooton held the Drum Corps Midwest Individual Snare Drum title and the Percussive Arts Society Snare Drum Individual title. From 1987 to 1989, he served as the percussion caption head for the Phantom Regiment Drum and Bugle Corps. For the 1990-91 drum corps seasons, he served as program coordinator/percussion arranger for “Nite Express” Drum and Bugle Corps of Cedar Rapids, Iowa.
Since joining the faculty at Southern Miss, Dr. Wooton, along with establishing a strong percussion studio, has introduced the USM Steel Band, Pop Percussion Ensemble, Samba Band and Salsa Band. He has served as the president of the Percussion Arts Society, Mississippi Chapter, and is presently a member of the Percussive Arts Society Marching Committee. Dr. Wooton gives clinics around the world representing Pearl Drums, SABIAN Cymbals, Vic Firth Sticks., Remo Drum Heads and Row Loff Productions Publications.
Dr. Wooton is the author of “The Drummer’s Rudimental Reference Book” - ”Perhaps the most definitive rudimental technique book of our time” - Thomas L. Davis. Wooton's latest publication, "Dr. Throwdown's Rudimental Remedies" (The rudimental method for what ails you!) includes 25 lessons, organized on a specific technique and/or rudiment. Accompanying play-along tracks for every exercise and each track is set in seven different tempos starting with "Tempo del Learno" all the way to "Ludicrous Speed."