"Limerick Daydreams" by Nathan Daughtrey
Performed by The University of Oklahoma Percussion Ensemble
Under the direction of Dr. Lance Drege
Mallet Selection for this Piece:
|Orchestral Series Keyboard
Soft plastic for warm sound. Also great on marimba.
Head = 1 1/4" | L = 14 3/8" [enlarge photo]
|Ensemble Series Keyboard
Medium hard. A fine choice for the top third register. Also a fine choice for legato lead line playing. No latex cover.
L = 15 3/4" [enlarge photo]
|Gifford Howarth Signature Keyboard
Soft. For use in the lower two-thirds of the instrument. Produces that deep open bass sound while still speaking through the mid-range.
L = 17 1/2" [enlarge photo]
About the piece:
Copyright © 2004 C. Alan Publications (www.c-alanpublications.com)
Dedicated to Dr. Cort McClaren and the UNCG Percussion Ensemble, Limerick Daydreams was the 2nd Place Winner of the 2005 Percussive Arts Society International Composition Contest. The 12-minute work scored for 10 percussionists is based on the Irish reel, Highway to Limerick. The work opens rather mysteriously with fragments of the tune in the keyboard instruments and echoes of a bodhran (a traditional Irish drum) emulated by a dampened bass drum. A raucous drumming section ensues and gives way to the first full presentation of the reel in the xylophone. What follows is a series of melodic, rhythmic, and harmonic transformations of the Irish tune – some quite playful, some beautifully melancholy, and some majestically resolute.
Performance Discussion with Nathan Daughtrey
About the composer:
Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks and mallets, and Zildjian cymbals, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date – "Spiral Passages" and "The Yuletide Marimba" – as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis."
With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band."
As an educator, Nathan served as a Visiting Lecturer of Percussion for three years at the University of North Carolina at Greensboro, where he taught applied percussion and conducted the Percussion Ensemble. He also served as a sabbatical replacement at the University of Oklahoma, where he taught undergraduate and graduate percussion students and conducted the world-renowned OU Percussion Orchestra. Dr. Daughtrey is currently a Visiting Lecturer of Percussion and Music Composition at High Point University (NC), where he teaches applied lessons, directs the percussion ensemble and works in collaboration with the School of Communication and Department of Dance.
Nathan remains active within the Percussive Arts Society serving as a member of the Composition Contest Committee, organizing the PASIC Fun Runs on behalf of the Health and Wellness Committee, and editing the keyboard percussion articles for Percussive Notes.
About the performers:
An associate professor in the School of Music at the University of Oklahoma, Lance Drege directs the percussion program, teaches applied percussion, conducts the OU Percussion Orchestra, and teaches other percussion related courses. He is presently completing his twenty-fourth year on the faculty at OU. From 1997-2002, Dr. Drege also served as Assistant to the Director for the School of Music. Prior to coming to OU, Drege taught public school instrumental music in Hobart, OK and Elk City, OK. Drege has been a member of the percussion section of the Oklahoma City Philharmonic from 1989-1999 and has held the Principal Timpanist chair since that time. A staff member of the Classical Music Festival in Eisenstadt, Austria, Drege plays principal tympani in the festival orchestra in addition to his administrative duties. He has twice served as the Oklahoma State Chapter President for the Percussive Arts Society, is a past recipient of the Presidential Distinguished Educator Award.