![]() STANTON MOORE Born and raised in New Orleans, Stanton Moore is a dedicated drummer and performer especially connected to the city, its culture and collaborative spirit. Driven and inspired by the thriving music scene of his hometown which includes such greats as Professor Longhair, Doctor John and The Meters, Moore’s name is now mentioned amongst these Big Easy mainstays. In the early ‘90s, Moore helped found the New Orleans-based essential funk band Galactic. Their first album, 1996’s widely acclaimed Coolin’ Off, led to an intense tour schedule of nearly 200 gigs a year for the next ten years. Building on their fan base by adding an esteemed list of all-star collaborations to the six albums that followed, Galactic continues to amass a worldwide audience via recording and touring globally. Moore launched his solo career in 1998 aided by eight-string guitar virtuoso Charlie Hunter and saxophonist Skerik (Les Claypool, John Scofield, Roger Waters). The group recorded All Kooked Out! featuring a handful of local New Orleans musicians as well. In the midst of these recording sessions yet another concept was taking shape. Outtakes turned into the first Garage a Trois release, Mysteryfunk (1999). In 2000 the trio, led by Moore behind the drum kit, was joined by percussionist Mike Dillon (Les Claypool, Ani DiFranco) and has since released three more albums – Emphasizer in 2003, Outre Mer in 2005 and Power Patriot in 2009. Moore extended his solo discography with the release of Flyin’ the Koop (Verve/Blue Thumb) in 2001, and III (Telarc) in 2006. Following the latter Modern Drummer called Moore’s trademark sound “infectious, jazz-meets-Bonham, nouveau second-line.” Recorded at the legendary Preservation Hall in New Orleans, III featured organist Robert Walter (Greyboy Allstars, The Head Hunters) and guitarist Will Bernard (T.J. Kirk, Doctor Lonnie Smith) as the Stanton Moore Trio, with special guests Skerik and trombonist Mark Mullins (Galactic, Bonerama, Harry Connick, Jr., Better Than Ezra). In 2008, Moore looked to continue his scaled back session crew with Walter and Bernard to record Emphasis! (on parenthesis). Says Moore, “When it came time to do another record, I had already known for a while that I wanted to build on the momentum of this band – three musicians who were becoming a unit unto themselves – and I wanted to get a little more adventurous with the music itself.” |
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| Stanton Moore (SSM) A slightly elongated tear drop tip that creates a great cymbal sound. L = 16 1/4" | Dia. = .550" [enlarge photo] |
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FEATURED VIDEO:
GROOVE ALCHEMY "Groove Alchemy reflects the program that I have put myself through to improve my own funk and groove playing. It s a groove boot camp that will vastly increase your knowledge of classic grooves and more importantly, will also ignite your imagination and make you a funkier and more creative drummer." – Stanton Moore The Groove Alchemy book/audio package covers the same topics in an even more comprehensive fashion, containing transcriptions of all of the historical grooves, plus all of Stanton's creative expansions and applications of them. The book contains over 600 examples, all of which are demonstrated on the included MP3 CD. The package also contains four play-along tracks taken directly from Stanton s new Groove Alchemy CD. These are some of the same songs performed on the DVD, so, using both products together, the student can watch and listen to Stanton perform, and then try the songs for themselves. AVAILABLE NOW FROM STANTONMOORE.COM! Check out the Stanton Moore Trio playing “Neeps and Tatties”
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INTERVIEW SPOTLIGHT:
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VIDEO SPOTLIGHT The Percussive Arts Society International Convention (PASIC) is held each year, with over 6,000 drummers and percussionists from around the world in attendance. Including clinics, performances and contents, there are over 150 events on twelve stages featuring many of the world's best musicians on drumset, orchestral percussion, keyboard, world and marching percussion. Stanton's clinic focused on NewOrleans' style drumming – from both the traditional approach and Stanton's application of the style to modern music. STANTON'S 2005 PASIC CLINIC HANDOUT (3.4 meg PDF)
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