VIC FIRTH ARTIST
Airto Moreira was born in 1941 in the small village of Itaiopolis, Brazil, and was raised in Curitiba. Even before he could walk he would start shaking and banging on the floor every time the radio played a hot song. This worried his mother, but his grandmother recognized his potential and encouraged him to express himself. By the time he was six years old, he had won many music contests by singing and playing percussion. The city gave him his own radio program every Saturday afternoon. At thirteen he became a professional musician, playing percussion, drums and singing in local dance bands. He moved to Sao Paulo at the age of sixteen and performed regularly in nightclubs and television as a percussionist, drummer and singer.
In 1965, he met the singer Flora Purim in Rio de Janeiro. Flora moved to the USA in 1967 and Airto followed her shortly after. When in New York, Airto began playing with musicians such as Reggie Workman, JJ Johnson, Cedar Walton and bassist Walter Booker. It was through Booker that Airto began playing with the greats - Cannonball Adderley, Lee Morgan, Paul Desmond and Joe Zawinul, to name a few.
Zawignul recommended Airto to Miles Davis for a recording session in 1970 for the Bitches Brew album. Davis then invited Airto to join his group, which included such jazz icons as Wayne Shorter, Dave Holland, Jack De Johnette, Chick Corea and later John McLaughlin and Keith Jarrett. He remained with Miles for two years, and appears on such releases as Live/Evil, Live at the Fillmore, On the Corner, The Isle of Wight, Bitches Brew and later releases, including Fillmore Sessions.
Following his stint with Miles Davis, Airto was invited to form the original Weather Report band with Wayne Shorter, Joe Zawinul, Miroslav Vitous and Alphonse Mouzon with whom he recorded The Weather Report. Soon after, he joined Chick Corea’s original Return to Forever group with Flora Purim, Joe Farrell and Stanley Clarke and they recorded the albums, Return to Forever and Light as a Feather.
In 1974, Airto formed his first band in the U.S., Fingers, with Flora Purim. Since then, they have performed constantly all over the world and have recorded their own albums for major record companies in Europe and America. Airto remains one of popular music’s most in demand percussionists. His collection of instruments, along with his knack for playing the right sound at the right moment, has made him the first choice of many producers and bandleaders. His work with Quincy Jones, Herbie Hancock, George Duke and Paul Simon, Carlos Santana, Gil Evans, Gato Barbieri, Michael Brecker, The Crusaders, Chicago and many others, including contributions to movie sound tracks such as The Exorcist, Last Tango in Paris, King of the Gypsies and Apocalypse Now, represents only a small number of the musical contributions Airto has made over the last three decades.
His impact was so powerful that Downbeat magazine added the category of percussion to its readers and critics polls, which he has won over twenty times since 1973. In the past few years he was voted number one percussionist by Jazz Times, Modern Drummer, Drum!, Jazzizz, Jazz Central Station’s Global Jazz Poll on the internet, as well as by many European, Latin American and Asian publications.
He has been advancing the cause of world and percussion music as a member of the Planet Drum percussion ensemble, with Mickey Hart (drummer for The Grateful Dead), master conga player Giovanni Hidalgo, tabla virtuoso Zakir Hussain, along with Flora Purim, Babatunde Olatunji, Sikiru Adepoju and Vikku Vinayakram. Planet Drum won a Grammy Award in 1991 for World Music. Airto also contributed to another Grammy Award winning ensemble, Dizzy Gillespie’s United Nations Orchestra, which received the award for Best Live Jazz Album.
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